Glyph of the Benedictional Stem

You’ve already encountered the three-dimensional abstraction on our legacy site, an immersion into spatial resonance and architectural lineage.

But what about the chromatic play, the dialogue of colour and ornament that extends OSAT’s compass into new directions?

Take a look at the other side of our take on OSAT:

• Explore Pugin’s Examples of Gothic Architecture at architecturalprints.co.uk

• Discover The Public Buildings of London at puginsprints.com

Here, the ornamental becomes directive, the chromatic becomes orienting, each print a prism through which OSAT refracts its clarity.